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Eats, Shoots & Leaves- by Lynne Truss
Truss has got funny and insightful in spades as she takes us on a whirlwind journey through proper punctuation, which for us type nerds also means proper typography. You won’t find a more approachable manual for style and usage.
Thinking with Type- by Ellen Lupton
Building on her years of experience both as a designer and an educator, Lupton presents a sturdy primer on type and its use, charting a course through early forms of type and anatomy, to modern usage and common pitfalls (including some wonderful bits about crimes against typography). This is a great place for newcomers to typography to start, and a strong resource for experienced designers to brush up with. And it’s beautifully designed to boot.
Letter By Letter- by Laurent Pflughaupt
Pflughaupt surveys the history of letterforms and their significance as marks and communication. Most of the book is made up of the history of individual letters of the Roman alphabet, taking each letter in turn to survey its roots, unique properties, and influence on language.
While You’re Reading- by Gerard Unger
A long look at the way we read, interact with, interpret, and digest text. It’s particularly fascinating to understand the process by how our mind takes in text, building from the humble glyph to words and sentences, in fits and starts of comprehension and repetition.
Type & Typography- by Phil Baines and Andrew Haslam
Notable for its breadth of coverage in just about all aspects of typography. This book can serve as a great overview of topics, and makes a good reference for matters of type anatomy, type layout, grids and related terminology.
Detail in Typography- by Jost Hochuli
A brief but sturdy look at the finer points of typography, including readability and line length, type selection, optimal sizing and spacing, and the magic of well considered type. Serves as a great desktop reference for typographic guidelines.
Visual Literacy: A Conceptual Approach to Graphic Problem Solving- by Judith Wilde, Richard Wilde
A ground-level course in basic design principals like rhythm, pattern, focal point, and contrast presented as assignments from a design class complete with creative thinking exercises and real solutions from the authors’ students. Solid advice and examples to help you walk before you can run. These principals are so fundamental, yet are so easily overlooked daily.
About Face: Reviving the Rules of Typography- by David Jury
A great intermediate book on type design. It takes a much more textbook style approach primarily focused on individual fonts for identification, time period and usage, but you will also find some great layout and typographic methodologies.
The Elements of Typographic Style- by Robert Bringhurst
An essential book for anyone who uses type in design. Yeah, that’s right, I mean you. As a graphic designer, you owe it to yourself to read more books like this. Inside, you will find some hardcore principles of design, like The Golden Section, a thorough disection of type forms, type usage and layout, type identification, and ever so much more. Mostly focused on page design and print material (skewed towards type layout) but contains ridiculously useful information which is easily applied to all forms of design. For a more basic, but equally worthwhile starter course, try Stop Stealing Sheep & Find Out How Type Works by Erik Spiekermann and E.M. Ginger.
Type: The Secret History of Letters- by Simon Loxley
History of Type! Wow, this is serious Typographic nerdery, and I loved every word of it. Don’t take your fonts for granted. Find out why they were made, who made them, what significance they had to the greater picture. Chock full of interesting history and type related trivia.
Logo & Font Lettering Bible- by Leslie Cabarga
The subtitle of this book is: A Comprehensive Guide to the Design, Construction and Usage of Alphabets and Symbols, and it is all that and more. This is a very good place to start learning more about the particulars of logo design right down to nitpicking kerning, leading, individual character shapes.
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